1734-1783 English painter. He trained in London with Benjamin Wilson before going to Rome in 1757, where he studied with Anton Raphael Mengs. In Rome he met Charles Compton, 7th Earl of Northampton, who paid him an allowance and in Venice in 1763 introduced him to Edward Augustus, Duke of York. The Duke commissioned a conversation piece of himself and his travelling companions (version, 1764; London, Kew Pal., Royal Col.). The figures are awkwardly posed, but the polished elegance of each shows the influence of Mengs. In 1765 Brompton returned to London with Nathaniel Dance and established a good practice with small-scale works in the manner of Johann Zoffany, such as William Pitt, 1st Earl of Chatham (1772; Chevening, Kent), which exists in several versions. He also produced portraits on a larger scale, including the enormous Henry Dawkins with his Family (1773; Over Norton Hall, Oxon).   Related Paintings of Richard Brompton :. | The Duke of York with his Entourage in the Veneto (mk25) | Portrait of Thomas Lyttelton | lady-in-waiting of Catherine II | Catherine II | Portrait of Aleksandra Branicka lady-in-waiting of Catherine II |
Related Artists:
Gabriel Lory Pere
Bern 1763-1840 Bern
Sir Samuel Fildes
English Painter, 1843-1927
Augsburger Schule
painted Allegory of Remorselessness in between 1580(1580) and 1600(1600)